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Saraswati is a unique
goddess in many ways.
She is, along with Rudra-Shiva,
the only Vedic Deity
still in worship in
the country. That is
an amazing feat of endurance,
almost five thousand
years of it. She is
also the only goddess
in India who does not
have a Yaksha or middle-eastern
origin. The Jaina religion
lays claim to Saraswati
too, but her Vedic origins
are indisputable. This
is the authentic old
religion of the Vedas,
even more authentic
than all the changes
that have come over
Rudra, the hunter, in
the intervening millennia.
The worship of Saraswati
is thus a tribute to
the power of endurance
of a good idea. For
Saraswati is a sacred
river, true, but she
is also the personification
of wisdom and learning,
a sort of Super-Sophia.
Saraswati is also unique
in that she is the only
major deity in worship
who does not have an
elaborate Purana or
Tantra text written
up to justify her worship
and enumerate the benefits
of so doing. This is
such a dazzlingly brilliant
achievement that most
commentators writing
about Mother worship
in India miss her altogether.
Yet she has no lack
of worshippers though
they are admittedly
mostly students.
Saraswati is the original
Great White Goddess
of India, a function
taken over later by
Durga and the other
variations of the Mahadevi.
In the Vedas she is
first encountered as
a sacred river/goddess,
the distinction is never
clear, the forerunner
of the reverence that
would be transferred
to Ganga. She formed
one boundary of Brahmavarrtha,
as the Vedic writers
called their land. The
name Saraswati itself
is one of the most beautiful
in all Sanskrit. It
means. "Flowingly elegant".
The hymns of the Rigveda
that praise her are
however tumultuous and
energetic in tone, not
elegant. Saraswati surpasses
all the waters in greatness,
she is mighty and powerful
(the first historical
reference to female
deities of power). Her
roaring waters break
down mountains. She
is ever active, the
great amongst the great,
the heavenly stream
that pervades the triple
creation of earth, sky
and the heavens.
Saraswati ensures the
fertility of the earth,
and as such she is asked
to also take care of
the needs for humans
to be fruitful and multiply,
both in progeny as well
as in bank balance and
store of cattle. She
is praised as an invigorator,
one who revitalizes
the tired land and gives
strength to men, who
provides immortality
in her role as Subhaga,
the bountiful one. She
is also the first goddess
in all literature to
be called Mother.
She is also called upon
to be a protector of
her worshippers, "as
does a sheltering tree
or an iron fort". Saraswati
in the Veda has a distinct
touch of the warrior
goddess about her, slaying
those who revile the
gods and is even credited
with Indra's great feat
- the destruction of
the Chaos-Demon, Vrita.
From all of this it
is pretty clear that
there are only so many
ways a goddess can be
worshipped. The Divine
Feminine invokes typical
responses in her worshipers
and it does not matter
which age and country
we are talking about.
The Veda never tires
of praising this divine
river as the source
of all creative inspiration.
She lends eloquence
to the dumb, she is
the Goddess of Learning
and Wisdom and more
pertinently, she is
the inciter of all pleasant
songs, all gracious
thought and every sacred
word or pious impulse.
In this she is similar
to the Goddess Vac,
or Speech, in the Veda
and the later commentators
of the Brahmanas merged
the two of them.
If you think about it,
it is amazing. Every
possible combination
and permutation of Mother
goddess worship has
been worked out here,
and as the mood and
inclination of the people
changed, one or the
other aspect became
personified and worshipped
in an endless stream
of goddesses. It is
absolutely incomprehensible
to me how Saraswati
remains ignored as the
origin for this massive
template - Mother worship
- in Human Consciousness.
Saraswati is such a
self-sufficient goddess
that she does not have
the exciting adventures
that provide so much
grist to academic mills.
She does not have the
drama and fascination
of Durga or Kali, or
the eternal issue of
money vis-a-vis God
that Lakshmi and her
relationship with Vishnu
evokes.
By Pauranic times, Saraswati
is regarded as the guardian
as well as the personification
of the Vedas. She is
a minor goddess now
but she has a terrible
power that makes her
supremely respected.
She never speaks anything
but the truth. As a
consequence of that,
any word that emerges
from her mouth will
become true, so it behooves
everybody to tread warily
round her. This aspect
of Saraswati is a dim
memory of the time Vac
was a very important
goddess and the power
of speech was a living
reality in the lives
of the people. She is
also married off to
Brahma, thus assuaging
the Pauranic embarrassment
and discomfort at all
the unmarried, independent
goddesses in the Vedas.
Saraswati is always
represented as a goddess
of dazzling white complexion
in a white sari. Her
Lotus-seat is white
too and so is the swan
that is her vahana or
vehicle. The swan is
a symbol of right thinking,
discriminating between
the true and the false,
exemplified in its mythical
ability to separate
milk from water and
drink only the former.
White is also the color
par excellence of purity
in India. (Mourners
at a funeral wear white
to counteract the polluting
energies/effects of
the corpse.) In one
of her hands is a white
lotus, another symbol
of lofty thinking and
arising above one's
immediate material surroundings,
just as the lotus thrusts
itself upwards from
the mire in an act of
beautiful transcendence.
Saraswati is also shown
carrying a palm leaf
manuscript that represents
the Veda. She plays
the Vina, symbol of
elegance, culture, refinement
and all the creative
aspects of the universe.
String instruments represent
the letter A in AUM,
and stand for all creative
unfolding. She is sometimes
shown with a rosary
or mala, representing
the power of meditation,
which in India is inseparable
from all intellectual
pursuits.
Since Brahma was generally
supposed to be the Vedic
Prajapati, Saraswati
is also associated with
the famous myth where
the Prajapati created
her and then succumbed
to his lust for his
own creation. This is
a mistake actually,
as Saraswati's position
in the Veda is independent
of and superior to the
Prajapati. It is a good
illustration of the
complications that get
thrown up as ancient
texts are sought to
be forced into new clothes.
By Pauranic times the
physical river Saraswati
had dried up and its
location lost to the
knowledge of men. The
Mahabharatha makes a
feeble attempt to come
to terms with this loss
with an explanatory
myth that Saraswati
was cursed by the rishi
Utathya. We are very
far away indeed from
the river that was the
embodiment of the Truth,
the source of all the
sacred power, when we
are asked to swallow
that she can be cursed.
Saraswati is also
regarded as the highest
manifestation of the
Sattva guna, the quality
of goodness, grace and
purity. Today however
she is predominantly
worshipped as a goddess
of knowledge and North
India and Bengal usually
have a spring festival
puja associated with
her. It is a very hopeful
sign that a Goddess
of Learning is actually
worshipped; though one
would wish for more
efforts at hitting the
books and less worship
on other days perhaps.
There is also a peculiar,
and in my opinion extremely
disgusting, popular
belief that Saraswati
cannot live in harmony
with Lakshmi, the Goddess
of Wealth. I have searched
in vain for any scriptural
or textual sanction
for this bosh and have
come to the conclusion
that it was put about
by the lazy and ignorant,
not to mention the envious.
In any case, with the
richest man in the world
and the richest man
in India both being
in the field of IT,
that belief is long
overdue for cremation.
Unlike many other cultures,
knowledge, intelligence
and wisdom were highly
prized in ancient India,
far above merely being
rich and powerful. As
the old proverb had
it:
Swadeshe pujyathe raja
Vidwan sarvatra pujyathe
Meaning,
"The king is worshipped
in his own land, but
the man of wisdom is
worshipped everywhere".
This attitude is a direct
consequence of the primacy
of Saraswati and knowledge
in the old outlook.
Hence she was also called
Smirtishakti (the power
of memory), Jnanashakti
(the power of knowledge),
Kalpanashakti (the power
of forming ideas) and
so on. Saraswati is
thus directly linked
to the peculiar attribute
of conscious thought
that has humans classified
as Homo sapiens,
the thinking animal
that knows it thinks.
It is therefore rather
reassuring to think
that as we enter the
Knowledge Age, there
is a Goddess of Wisdom
still out there waiting
for us to receive her
infinite gifts.
Details...
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The
Saraswati Yantra
This is a very
simple Yantra,
but powerful precisely
because of its
focused approach.
It has a six-pointed
star formed by
the combination
of an upward and
downward pointings
triangle, surrounded
by eight lotus
petals with mantras
inscribed upon
them. Curiously,
most Saraswati
Yantra petals
are not bounded
by a circle as
is common to other
Yantras, because
the mantras inscribed
upon them are
too powerful to
be restrained.
This is the prime
Yantra for all
those involved
in intellectual
activities but
especially for
students, writers
and those working
in the media.
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Design and
Significance
The outer boundary
wall of the smaller
size Yantras may
have large liminal
gaps, [they are
thresholds of
potential, of
awareness, or
transformations].In
large Yantras
however there
is enough space
to draw a convoluted
outer wall with
multiple layers.
This keeps the
liminal gaps active
but also filters
the energy generated
by the Yantra
from rushing outwards
in an uncontrolled
and promiscuous
manner. Within
each lotus-petal
is a bija mantra,
that contains
in 'sound-seed-form'
the power of a
god or attribute
that influences
the manifestation
of desirable qualities.
These are highly
intricate and
not all well understood,
but they undeniably
work. Sufficient
to say that almost
every god with
any stature in
India is represented
in most Yantras
so worshipping
or meditating
with a Yantra
is to worship
all the gods at
once. The Yantra
is a micro-cosmos
and it is always
directly in contact
with, and influencing,
the macro-cosmos
or larger universe
outside. Hence
any worship or
meditation or
affirmation directed
towards it finds
the desired outcome
being easily manifested
in the larger
physical reality.
The Yantra is
a machine too,
apart from being
the symbolic energy
body of the god,
a machine to bring
about transformation
by focusing your
intent. The Yantra
should always
be treated with
great respect,
kept in a place
of honor and moved
as little as possible.
Ideally only one
person should
handle it at all
times. It is recommended
that some daily
meditation upon
the Yantra be
practiced as the
patterns subtly
influence and
transform the
thought-forms
of the mind gently
guiding them into
habits of prosperity
thinking which
after all is more
important than
merely hoping
for prosperity.
To read more about
Yantra click
here.
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